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Podcast 228 - Snow Monkey Workshop Participant Comments

Note that there’s an audio player at the bottom of the post, to listen to this Podcast episode.


Having just finished the Snow Monkey Workshop and Photography Tour, today I’m releasing a very brief update and a recording of some participant comments from the bus as we arrived back in Tokyo.

We set off for Hokkaido tomorrow morning, for the Wildlife and Landscape Workshops, and I’ll bring you an update on this later on.

For now, here are a few of my photos from the Snow Monkey Workshop and Tour.

Snowy Hands

Snowy Hands

Hurumph!

Hurumph!

Cold Feet

Cold Feet

Michael In Action

Michael In Action

There’ll be more to come when I get back from Hokkaido!


Podcast show-notes:

As I upload images from this leg of the Workshop, you will be able to view them in my gallery with the following link: http://www.martinbaileyphotography.com/thumbnails.php?album=search&search=Jigokudani_Jan2010


Audio

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Gallery

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Podcast 227 : X-Rite ColorChecker Passport Review (Video)

Today I’m going to take you through some of the basic operations of the X-Rite ColorChecker Passport.

With the preparation for my Snow Monkeys and Hokkaido Workshops, I really didn’t have time to prepare for a Podcast this week, but I had planned on talking about my new X-Rite ColorChecker Passport, which I have fallen head over heals in love with! Having prepared screen shots and everything, I figured it was probably going to take longer to prepare an audio Podcast and accompanying blog post with the screenshots, than it would take for me to just create a video and show you it all in real-time.

Here is the video. I’ll try to upload an iTunes and maybe also an iPhone version before I leave for the workshops, but for now, this is it. Don’t forget you can click the little full-screen icon to the right in the toolbar to view the video in full-screen mode.

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You can also get an iPhone optimized version of this video in iTunes, or download it here.

I’ve also just bought an X-Rite ColorMunki Photo, which I’ll also be reviewing soon.

If you are thinking of buying one yourself, you can pick up an X-Rite ColorChecker Passport from B&H.

You can also buy the X-Rite ColorMunki Photo kit here.

Podcast 226 : Dec 2009 Assignment - Quiet Light - Results

Prefer to listen? There’s an audio player at the bottom of the post.


This week we’re going to look at the three winning images from the December 2009 MBP and WebSpy Photography Assignment which was on the theme “Quiet Light”. As usual the standards were very high and the three winning images simply amazing.

We’re going to look at the images in reverse order, starting from third place. Note that I have included the winning images and a few others that the winning photographers provided into the enhanced Podcast audio file, so if you are listening in iTunes or on an iPhone or iPod, you’ll be able to see the images automatically change as we progress. Note too that I update a scores page to see how many votes each person that entered the assignment has amassed, both from the monthly assignments, and for accumulated from the six month assignments that our sponsor WebSpy has kindly provided prizes for.

Let’s get right into it now though, and take a look at the third place winner’s image. In third place is David Peacham, from Perth, Australia, with “Lights Out“. As I have back-stories from each artist, I’m going to read the back-story first, and then add my own thoughts on each image.

Lights Out (© Copyright David Peacham)

Lights Out (© Copyright David Peacham)

David Peacham’s Back-story:

Brainstorming a couple of ideas I was thinking of using candlelight in some way. I was thinking how I could incorporate it in a shot somehow and looking for candles around the house to use. We have a couple of large funky candlesticks given to us by friends and we haven’t lit the candles on these before so I was a little hesitant to do so right away. I had to setup in the darkest room in the house as I was shooting during the day. I used our black suitcase as a backdrop and had the blinds down blocking as much light as I could. In the first couple of shots I did away with using the burning candle as it seemed too bright for quiet light. My thoughts turned to the smoke and the glowing wick just after the candle has been blown out.

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Podcast 225 : Roundtable #4 with Landon Michaelson and Dan Newcomb

The MBP Roundtable is back, after a two year break! Today I chat with Landon Michaelson and Dan Newcomb on some great photography related topics!

Landon Michaelson is a passionate photographer who enjoys photography, in some way, every day. In Landon’s day job as Lead Designer he gets to do a lot of photo making and uses them in layouts. He also owns Best Kept Secret Photography.

Dan Newcomb, A.K.A. Mr. Nikon in the MBP Forums, is a photo enthusiast from Vancouver, Canada. His day job as a technician in the telecom industry keeps him rather busy but he always makes the time for his photographic passion.

There’s no transcript for today’s Podcast as it was recorded live, but here are some of the photographs mentioned. Listen to the conversation in iTunes or with the audio player linked below.

The next four images are the Before and After images from Jared Fein that we discussed in reply to a great question from Jared. Great images too!

Ireland#1 Before (© Copyright Jared Fein)

Ireland#1 Before (© Copyright Jared Fein)

Ireland#1 After (© Copyright Jared Fein)

Ireland#1 After (© Copyright Jared Fein)

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Podcast 224 : Martin's Top Ten Images from 2009

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Happy New Year!! 2010 has begun, and today to start a new year of podcasts and photography, and I have a feeling it’s going to be a great year! And to kick off, now in its third iteration, today I’m going to take you through my own personal selection of my top ten images from 2009.

I really enjoy going through the exercise of looking back through my last year’s images, and trying to decide which ten really are my favorites. It gives you a view of your progression, and when I compare this to my list from 2008, I certainly feel happier with this year’s work, although I do still very much like my selection from 2008 as well.

The good thing about going back through your images from an entire year is that many weeks and sometimes months has passed, since we made most of the photographs, and so you can be a little bit more subjective. As we’ve mentioned many times, when you have just shot something, you can be a little more influenced by the experience and excitement of the shoot, and therefore favor some images that you might not quite like as much later on.

I like to give my images at least two or three days to simmer before I make my final selection of what images I am going to take further in my work-flow, and upload to my gallery etc. When possible, I like to give them a week or so. After many months have passed though, when you look back at the images, they have to really stand on their own merits for you to still really like them. This gives me confidence that anything that makes this list really is my best work from 2009. Well, actually, to really do this properly, I should probably do this around February or March time, but the start of the year just seems a better time to do this.

Here are some quick stats on my selection process before we look at the top ten. On my first pass through my 380 or so best shots from 2009, I was left with a shortlist of 50 images initially. That’s around 13%, which I’m pleased with. Even though I felt like dropping a few more into the favorites bucket, I left many out because I knew that they’d be trumped by other images. The 50 were ones that I knew I was going to have to compare side by side before making a decision.

A second pass go me down to 26 images, and now it started to get really difficult to remove further images. You kind of switch into a different mode and feel more like an assassin than a photographer at this point. I got down to 15, and had to take a break for a while. In the end, I had to turn to my art director (read wife) for advice. She has a different eye to me, and a different sense of the aesthetic to a degree, but she can also be that little bit more subjective than I can, and is always a great help in these final culling stages. Let’s take a look at what was left after my final ruthless cull down to 10 images. Note that we’re going to look at these in chronological order, and not the in priority of how much I like each image or anything like that.

Kanzakura White Eye

Kanzakura White Eye

First up is image number 2103 (above) from early February, the weekend before last year’s Hokkaido Workshop. This is a White Eye bird, shot in the early blossoming Kan-zakura flower. These little birds are native to Japan and here all year round, but they come to feed on the nectar in the blossom early every spring, and although they move very fast, there are enough of them to be able to get a few shots if you visit a park with the trees in them. This was shot in the Shinjuku Gyoen park, in Tokyo. I particularly like this shot because of that sea of pink in which the bird is situated. This particular tree is often so full of blossom that you can create the entire background with pink, making a beautiful setting for your subject. This is also one of those few occasions when I think that bulls-eyeing the image worked, as we can see the White Eye is smack in the middle of the frame, though the eye is slightly off-center, which does help to reduce the bulls-eye effect a little. » Read Full Post with Comments ››››


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